This opening section of The Official Report of the New York State Special Commission on Attica was made available to NYCHS by the DOCS Academy in Albany from among its instructional materials. Its value lies in the sweeping -- albeit critical -- perspective provided on prison development up to that point. Its tone should be evaluated in the context of the terrible 1971 riot that gave rise to the report and to the controversies continuing to this day. In the decades since this encapsulation was first published, great advances have been made in prison inmate services, programs and procedural safeguards.
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Solitary confinement in a bare cell with one meal a day was introduced as a punishment for breaking the rules. But solitary had the disadvantage of removing prisoners from the labor force necessary to support the institution, Physical punishment, which had a less disruptive effect on inmate labor, was authorized. Soon, the very punishments that prisons were supposed to have eliminated were widely used within the prisons themselves, and the whip was the most common. Water "cures," stocks, "stretchers," and the sweatboxes were all widely used in American prisons well into the 20th century. By the 20th century, the old concept of "reformation" had largely disappeared, and most prison administrators viewed the goal of prisons as simply to keep prisoners securely in custody. Indeed, the warden's first assistant, who was responsible for the day-to-day operation of the prison, was known as the "principal keeper."
In New York, as one prison became overcrowded, another was built, always on the Auburn principle. In 1825, Sing Sing was built along the Hudson River north of New York City by a hundred inmates from Auburn who were transported down the Hudson by boat, shackled in irons. When the swelling prison population threatened the silent program and the individual cell policy, additional cell blocks were added to Auburn and Sing Sing. In 1844, the construction of Clinton Prison was authorized.
The construction of all these prisons followed the same basic plan. In fact, prison construction in the United States did not change until well into the 20th century, and even then variations were usually minor and often short-lived. From the beginning the American prison has been a maximum security institution.
As new Auburns were built throughout the country, the severity of the prison routine became the subject of criticism by a new generation of penal reformers. In 1870, the National Prison Association, at its founding meeting in Cincinnati, reminded the authorities that "reformation, not vindictive suffering should be the purpose of penal treatment of prisoners."
At the turn of the century, New York made efforts to actually implement some of the specific proposals of the Cincinnati Congress of 1870. The first such effort was Elmira Reformatory, opened in 1876 for young first offenders. Built on the same architectural principle as Auburn, however, it soon proved to be only another prison in the style of Auburn, but with younger inmates -- a maximum security reformatory. In 1911, Great Meadow, a new prison without a wall around it, was built for young first offenders. The striped uniforms and the silent lockstep were discontinued. The vale of silence continued in actual practice in most institutions, but at Great Meadow movies were presented to the inmates once every two weeks. The dining area provided small tables with chairs in order that the young inmates could dine in a more natural atmosphere than that provided by immovable tables and stools in the other prisons.
Due to the overcrowding elsewhere, however, it was not many years before Great Meadow began receiving second offenders and other first offenders who were deemed by the authorities to require close supervision. Discipline tightened at Great Meadow; enforcement of silence appeared in the routine; and a prison factory, like those at Auburn, Sing Sing and Clinton, was started.
The architecture of prisons had become a self-engendering style. The major improvements in the construction of prisons were the introduction of escape-proof cells and unbreakable toilets and wash basins. This escalating process of constructing ever more secure prisons reached its pinnacle in 1931, when the most secure, escape-proof prison ever built opened in the little upstate village of Attica, New York. With such dedication poured into its construction, Attica was, at the time, the most expensive prison ever built. Construction had begun in 1929 and continued into the early years of the Depression. Over one hundred years had passed since inmates from Auburn had gone to work to build Sing Sing. In the spring of 1930, the scene was repeated; inmates from Auburn were transported to Attica to assist in construction.
In the late 1920s there had occurred the first "wave" or widespread outbreak of prison riots in this country. 
Attica State Prison in New York was to be the solution to the [then] recent problem of prison uprisings and the response to the commissions that investigated them. When Attica opened, it was widely hailed as the ultimate prison.
Perhaps because of the Depression economy, perhaps for other reasons as well, no Attica inmate has ever seen the institution described above. When Attica opened, there was no cafeteria with food under glass, no recreation room, no automatic signal system, and no sunlight streaming into the cells. There was, in fact, nothing but another huge, foreboding prison. With the unprecedented emphasis on security visible in every brick and every door, this "last word in modern prison construction," far from doing away with locks and keys made them the focal point around which all life revolved.
When Attica opened, over 130 years had passed since Auburn Prison was built; the population of New York State had changed vastly; the entire social structure of the nation had been dramatically altered; new laws and social conditions had altered the very nature of crime itself; theories of human behavior had been radically modified by the developing social sciences. In fact, everything had changed -- everything but the prisons. They were still built in the silent congregate style of Auburn.